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The 4050 Stereo Studio Ribbon Microphone with it's bold new look, greater output, and a wider frequency response, has been developed using the latest magnet technology.The frequency response of the 4050 is exceptionally flat from 30 to 20,000 c/s, and throughout this range the shape of the bi-direct...

The Coles 4030L ribbon microphone can be used as a stereo pair with this stereo bar.It can be rotated 360 degrees and is ideal for a "Blumlein" stereo configuration.MICROPHONES SOLD SEPARATELY

The Drawmer 1979 is a modern take on the classic channel strip, combining pristine clarity, tone shaping, and vintage compression in a single 1U unit.It delivers the transparency of an ultra-clean pre-amplifier, the natural control of Lift, the precision of a three-band parametric equaliser, and the...

Established in 1964 Coles Electroacoustics is renowned for designing and manufacturing the very highest quality Ribbon microphones. Its latest offering is the Coles 4030L, an entry level ribbon microphone with the superb sound quality one expects from this prestigious company.The 4030L is a studio r...

The Coles 4071B is a microphone to stand adaptor with XLR for the Coles 4038 microphone.Cable is about 15cm long with XLR connector

The Coles 4072 is an anti-vibration microphone stand adaptor for the Coles 4038 Microphone.Cable is about 15cm long with XLR connector

The Coles 4071 have built-in phantom power blocking capabilities that ensure your 4038 Microphone is protected from unwanted power interference that could cause ribbon damage and reduce audio quality.Using an adapter with a phantom power blocker allows you to safely connect your 4038 Microphone to e...

The Coles 4072 have built-in phantom power blocking capabilities that ensure your 4038 Microphone is protected from unwanted power interference that could cause ribbon damage and reduce audio quality.Using an adapter with a phantom power blocker allows you to safely connect your 4038 Microphone to e...

Coles 4038 – Stereo Bar (Microphones not included)Designed for mounting the Coles 4038 Studio Ribbon Microphone for stereo recording. Helps you get great flexibility and advantages to recording specific elements. Perfect for Blumlein or MS (mid-side) stereo configuration.

Clean Dynamics ControlJoining the Hazelrigg Industries Solutions Series, the VNE is a handcrafted, single-channel compressor designed to elegantly control dynamics without negatively affecting the tonal qualities of the source material.Ideal for tracking and mixing, the Hazelrigg Industries VNE feat...

A desktop recreation of the vintage Roland RE-501 Chorus, featuring original "BBD" chip, a fully analogue signal path, Hi-Z input and multiple modulation "modes". The Pope Audio Dirty-DC is essentially the Dirty-C in a standalone desktop unit. It features the exact same circuit/sound and controls wi...

The R1 Active MKIII is a very cool mic that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. buffer ampliflier. This means that you can use the R1 Active MkIII with long cables and virtually any pre-amp featuring 48V phantom power. A clean and clear sound, yet wa...

The R1 Tube Active is a true embodiment of old-school vintage recording, combining three vintage elements:- A classic ribbon transducer.- Two transformers.- A tube buffer amplifier.One might think that combining a ribbon, transformers, and a tube amplifying stage could make the signal too smooth?Itâ...

The Everything ChainVocals? Yep. Guitars? NP. Bass? Of course! Keys? Lovely. Drums? Wow! Strings? Velvet. Brass? Slammin'. Anything? EVERYTHING.The Everything Chain by Hazelrigg Industries is a complete audio chain ideal for tracking, mixing and live sound. This specially priced bundle include the f...

The Highs & LowsThe Baxandall equaliser is a simple shelving EQ, but unlike traditional shelving EQs a Baxandall exhibits a gently rising slope for a more natural sound, and lower phase distortion. Perfect for adding top-end sparkle to a mix or stem, gently rolling off low-end mud on complex acousti...

The DVA is a hybrid microphone preamplifier based on the Hazelrigg Industries VLC and D.W. Fearn VT-2 preamp. Utilizing a single 6072a vacuum tube, the input circuitry matches the VLC/VT-2 input stage exactly and features transformers in both the input and output stages.Make-up gain is provided by a...

The DLC is based on the passive equalizer circuit in the Hazelrigg Industries VLC (originally found in the D.W. Fearn VT-5). It shares the same filter capacitors and handwound inductor as the VLC, though the audio path is slightly different. The input audio circuit comes from the D.W. Fearn VT-2, wh...

Silky-smooth tube sound.The UT Tube67 is a United’s faithful homage to one of the most in-demand mic designs of all time. The original classics have shaped the sound of countless classic recordings since their debut 1960; renowned for velvety, creamy, full-bodied tone. The UT Tube67’s smooth top...

The DNE gets its compression circuitry directly from the Hazelrigg Industries VNE and D.W. Fearn VT-7. Attack and release times have been optimized to simplify the user interface. The High Pass Filter (HPF) makes the compressor less reactive to low frequencies (for example, bass and kick).Linking un...

The Swiss army knife you should not be withoutThe debut offering in the Hazelrigg Industries Solutions Series, the VLC is a powerful and elegant All-Tube Preamp/EQ combination designed to address the sonic challenges faced by today’s audio professionals. The VLC is simply a solution: an elegant, h...

Tube Squealer is a faithful recreation of three screaming overdrives known for driving tube amps into blissful tonal saturation. Select between authentic 808, TS9, and TS10 circuits, each capturing the legendary Japanese designs that shaped decades of guitar tone. Added modern features include a mix...

The Throne Of Tone combines two of the greatest British amp-inspired blues circuits of all time in one dual-sided overdrive pedal. Designed for ultimate flexibility, it offers two classic voicings, low/high gain settings, and three drive modes, including boost, overdrive, and distortion, per side. I...

In recent years, audio production has shifted from large commercial studios to more compact, purpose-driven project and home studios. These smaller studios typically revolve around Digital Audio Workstations (DAWs) and utilize fewer outboard devices, partly due to space constraints. However, the dem...

In today’s audio production practices, our workspace —the studio— has become an integral part of our daily lives and immediate surroundings. Monitoring is the cornerstone of any studio setup, and everything else comes after. But what follows monitoring? The answer is the monitor controller.The...