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$12The Oxford History of Western Art by Martin KempThe Oxford History of Western Art is an innovative and challenging reappraisal of how the history of art can be presented and understood. Through a carefully devised modular structure, readers are given insights not only into how and why works of art were created, but also how works in different med...Buy from Store 0 0
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$9Representation and Reaction: modernism and the New Zealand landscape tradition 1…Fifty paintings from the collections of the Fletcher Trust, the Kelliher Trust, DB Breweries Ltd and the Sarjeant GalleryBuy from Store 0 0
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$9Barbara Hepworth (World of Art) by Abraham Marie HammacherBorn in Yorkshire in 1903, Barbara Hepworth was determined to become a sculptor despite the misgivings of her parents and the common attitude at the time that a woman studying sculpture was not to be taken seriously. She was part of the generation of British artists that included Henry Moore (with w...Buy from Store 0 0
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$14Frances Hodgkins. A private viewing by Joanne DraytonArt historian Joanna Drayton captures Hodgkin's life vividly, drawing on the artist's extensive correspondence with close friends and family on the other side of the world.Buy from Store 0 0
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$5Crockery of Distinction: Crown Lynn New Zealand by Abby Cunnane & Aaron Lister2011 publication/ exhibition.This booklet serves as an interpretive guide to the exhibition Crown Lynn: crockery of distinction (City Gallery Wellington).Buy from Store 0 0
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$5Fairest Isle: the age of Purcell and Dryden by Maureen DuffyGuide to a 1994 exhibition of the The British Council.Buy from Store 0 0
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$9Colour: Travels Through the Paintbox by Victoria FinlayOn a journey that takes her from Afghanistan, to the Australian outback, to ancient caves in China, and the saffron harvest in Spain, Victoria Finlay gives an extraordinary, and compelling account of the history of colour.Part travelogue, part narrative history, Colour unlocks the history of the col...Buy from Store 0 0
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$9The Englishness of English Art by Nikolaus PevsnerStemming from his 1955 Reith Lectures, explores what makes English art uniquely English, arguing for a national character revealed through polarities (like reason vs. emotion) in art, focusing on Hogarth, Reynolds, Blake, Constable, Perpendicular architecture, and the Picturesque to link art styles ...Buy from Store 0 0
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$10The Two Paths by John RuskinA collection of lectures arguing that true, noble art stems from a just society, truthful observation of nature, and skilled craftsmanship, leading to national upliftment, while conventional, machine-driven art from corrupt societies degrades both artist and populace. Ruskin explores the moral and s...Buy from Store 0 0
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